DISCURSIVE STRUGGLES OF MARGINALIZED WOMEN IN THE POLYPHONIC NOVEL “BITTER ORANGE TREE” THROUGH BAKHTIN`S DIALOGUE THEORY

Authors

  • Ren Jianing Department of Foreign Languages, Faculty of Modern Languages and Communication, Universiti Putra Malaysia; School of Foreign Languages, Linyi University, 276005, the Middle Part of Shuangling Road, Lanshan District of Linyi, Shandong Province, China https://orcid.org/0009-0008-2986-9582
  • Pabiyah Hajimaming @ Pabiyah Toklubok Department of Foreign Languages, Faculty of Modern Languages and Communication, Universiti Putra Malaysia https://orcid.org/0000-0003-1272-9184
  • Nik Farhan Mustapha Department of Foreign Languages, Faculty of Modern Languages and Communication, Universiti Putra Malaysia https://orcid.org/0000-0002-8809-0578

DOI:

https://doi.org/10.35631/IJHPL.935003

Keywords:

Arabic Literature, Bitter Orange Tree, Feminist Dialogics, Narrative Resistance, Jokha Al-harthi, Polyphony

Abstract

The novel “bitter Orange Tree” by Omani novelist Jokha al-harthi is characterized by polyphony; the polyphonic structure of the novel allows for a more comprehensive portrayal of its dialogic nature and the characters’ independent voices. Drawing upon “feminist dialogics”, a feminist reconstruction of Mikhail Bakhtin’s dialogic theory, this study conducts a systematic narrative and textual analysis of the novel to explore female discourse power. Specifically, it aims to examine how marginalized women achieve discursive resistance at both micro- and macro-dialogic levels within a polyphonic narrative space. The findings reveal that Al-harthi employs Bakhtinian polyphonic strategies to unfold discursive resistance across three interrelated dimensions. First, at the macro-level, the novel constructs a "chronotope" spanning the diasporic spaces of London and the rural landscapes of Oman, revealing the spiritual diaspora and spatial breakthroughs of female subjects amid historical fragmentation. Second, at the micro-discursive level, marginalized women implicitly resist patriarchal discipline through character dialogues, strategically embedded silences, psychological dislocations, and polyphony. Finally, the "unfinalized" presented at the novel's conclusion shatters the enclosure of historical determinism, reshaping a continuous and creative subjectivity for marginalized women. This study contributes to a deeper understanding of gender politics and narrative innovations in modern Arabic fiction.

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Published

2026-09-10

How to Cite

Ren , J., Toklubok, P. H. P., & Mustapha, N. F. (2026). DISCURSIVE STRUGGLES OF MARGINALIZED WOMEN IN THE POLYPHONIC NOVEL “BITTER ORANGE TREE” THROUGH BAKHTIN`S DIALOGUE THEORY. INTERNATIONAL JOURNAL OF HUMANITIES, PHILOSOPHY AND LANGUAGES (IJHPL), 9(35), 46–54. https://doi.org/10.35631/IJHPL.935003