A STAGE-BASED LEGAL FRAMEWORK FOR GENERATIVE AI USES OF WORKS OF FOLK LITERATURE AND ART

Authors

DOI:

https://doi.org/10.35631/IJLGC.1145014

Keywords:

Generative AI, Works of Folk Literature and Art, Copyright, Stage-Based Legal Framework, Cultural Heritage Protection

Abstract

Generative AI increasingly uses Works of Folk Literature and Art (WFAs) as training data, style references, prompt templates, and commercial design resources. Because WFAs come from collective practice and intergenerational transmission, ordinary copyright law cannot fully address AI-related harms such as false cultural attribution, derogatory distortion, and large-scale commercial exploitation. This article examines why the existing copyright framework is insufficient and how legal responsibilities should be allocated by the training, output, and dissemination stages. Using doctrinal legal analysis of relevant Chinese laws, representative AI-related cases, and international materials concerning traditional cultural expressions, the article proposes a stage-based legal framework. At the training stage, the focus should be on the legality of data sources, sensitivity screening, and reasonable output control. At the output stage, distinctions should be made between identifiable expressions and general stylistic references. At the dissemination stage, liability can depend on the actor’s capacity for control, commercial benefit, and role in market circulation.

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Published

15-09-2026

How to Cite

Li , X. (2026). A STAGE-BASED LEGAL FRAMEWORK FOR GENERATIVE AI USES OF WORKS OF FOLK LITERATURE AND ART. INTERNATIONAL JOURNAL OF LAW, GOVERNMENT AND COMMUNICATION (IJLGC), 11(45), 224–238. https://doi.org/10.35631/IJLGC.1145014