CURATING THROUGH CRISIS: VISUAL ART EXHIBITION PRACTICES OF KELANTAN’S ART ORGANIZATIONS IN THE POST-PANDEMIC ERA (2020–2022)

Abstract

This study explores the situation of visual art exhibitions and curatorial practices in Kelantan during the post-pandemic period of 2020–2022. The COVID-19 pandemic disrupted the local arts ecosystem, forcing cancellations of physical exhibitions and limiting artists’ visibility. Organizations were compelled to adapt, with some experimenting with digital platforms, though virtual exhibitions could not fully replace physical interaction. Using a qualitative approach, data were gathered from literature, official reports, websites, social media, and semi-structured interviews with representatives of seven organizations: Balai Seni Lukis Kelantan (BSLK), Persatuan Pelukis Kelantan (PESENI), Persatuan Penggiat Seni Lukis (PELUKIS), Persatuan Seniman dan Warisan Kelantan (PESTA), Sendi Studio & Gallery (SSG), Balai Kartun Rossem (BKR), and Kotak Seni. Thematic analysis focused on exhibition formats, changes in curatorial practices, and post-pandemic challenges and opportunities. Findings show traditional organizations such as PESENI, PELUKIS, and PESTA struggled due to weak digital literacy and reliance on physical exhibitions, while BSLK and BKR used temporary digital measures before returning to physical formats. In contrast, SSG and Kotak Seni adapted more effectively, positioning digital platforms at the core of their curatorial strategies and expanding international networks. The study concludes that technological adaptation is no longer optional but a fundamental requirement for sustaining visual art exhibition culture in Kelantan.