FORMAL AESTHETICS IN CONTEMPORARY CHINESE LANDSCAPE OIL PAINTINGS:SCHEMA RESEARCH AND ANALYSIS
DOI:
https://doi.org/10.35631/JTHEM.938011Keywords:
Contemporary Chinese Landscape Oil Painting, Feldman's Theory of Art Criticism, Schema ResearchAbstract
In the field of global art, contemporary Chinese landscape oil painting is gradually gaining recognition and attention from the international community with its unique artistic charm and profound cultural connotation. This study is committed to an in-depth exploration of the formal aesthetics of contemporary Chinese landscape oil painting. By studying and analyzing the schema of representative works, it reveals its unique aesthetic characteristics in terms of formal composition, color application, and performance techniques. This study uses qualitative research methods, interviews with artists, and visual analysis of artworks to further understand their creative concepts and schema characteristics. The results show that while retaining the essence of traditional painting, contemporary Chinese landscape oil painting has also absorbed the expressive forms of Western art, showing rich diversity and innovation. Many works have not only made breakthroughs in artistic expression, but also touched on deep-seated issues such as modern society, environmental protection, and cultural heritage in terms of themes. Through this study, a new perspective and theoretical support are provided for the academic research of contemporary Chinese landscape oil painting, and a new perspective and ideas are also provided for future artistic creation and research.