RESEARCH OF AIGC AND HUMAN ART PICTURE CREATION BASED ON PANOFSKY’S THREE-LEVEL ICONOLOGY FRAMEWORK

Authors

  • Zhang Yizhong Department of Creative Technology and Heritage, Universiti Malaysia Kelantan, Malaysia
  • Yuhanis Ibrahim Department of Creative Technology and Heritage, Universiti Malaysia Kelantan, Malaysia
  • Mohd Firdaus Naif Omran Zailuddin Department of Creative Technology and Heritage, Universiti Utara Malaysia, Malaysia

DOI:

https://doi.org/10.35631/JISTM.1041017

Keywords:

AIGC, Iconology, Panofsky, Narrative Art, Human–AI Comparison

Abstract

This study investigates the narrative, symbolic, and cultural differences between AI-generated imagery (AIGC) and human-created realist artworks through Panofsky’s three-level iconology framework. The research identifies gaps in semantic logic, cultural depth, and symbolic coherence within AIGC outputs while establishing a systematic analytical model suitable for cross-method evaluation. By integrating qualitative iconological interpretation, computational visual analysis, and expert review, this paper contributes an evaluative paradigm that addresses contemporary challenges in AI-driven visual culture. Findings highlight significant fragmentation in narrative cohesion and symbolic misalignment in AIGC compared with human artworks, emphasizing the importance of cultural semantic grounding in future AI development.

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Published

2025-12-18

How to Cite

Zhang , Y., Ibrahim, Y., & Zailuddin, M. F. N. O. (2025). RESEARCH OF AIGC AND HUMAN ART PICTURE CREATION BASED ON PANOFSKY’S THREE-LEVEL ICONOLOGY FRAMEWORK. JOURNAL INFORMATION AND TECHNOLOGY MANAGEMENT (JISTM), 10(41), 261–268. https://doi.org/10.35631/JISTM.1041017